PIPERIC TIMELINE

Founded on the model of the Piper Club in Rome, the Piper Pluriclub in Turin required the development of a program of coordinated image and communication that would be original and different. This art direction project was assigned to Clino Castelli in 1965.

The Piperic Timeline, an installation that extends across a wall with a length of over seven meters and a height of almost three, subdivided into two parallel bands split into three years, is composed for the most part by ephemera and artworks created by Castelli, as well as works by other artists like Piero Gilardi and Anne-Marie Sauzeau, with photographs by Gianni Berengo-Gardin and Toni Nicolini.

The items in the upper band represent artistic and performative events that took place at the Piper Pluriclub disco in Turin, while the lower band features different settings that document other emerging phenomena that took place in Italy in the same period, such as the rise of Italian design and the birth of fashion design.

Entrare nell'opera. Processes and Performative Attitudes in Arte Povera, Kunstmuseum, Liechtenstein, Vaduz (7 June - 1 September 2019)

Piperic Timeline, 2016/2019

  • Price available upon request.

Artworks

Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0001.jpg
Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0002.jpg
Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0003.jpg
Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0004.jpg
Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0005.jpg
Clino-Castelli_PIPERIC-TIMELINE_elenco-opere_pages-to-jpg-0006.jpg
35.jpeg
PDF_page-0001.jpg

  • - Clino Trini Castelli, Piero Gilardi. “Esposizione di macchine per il futuro”, Galleria L’Immagine, Turin, Italy, October 16-26, 1963

    - Dino Buzzati, “Happening a Sparta”, Corriere della Sera, February 20, 1966

    - n/a, “Non vincono la noia le stravaganze del Piper”, La Stampa, November 30, 1966

    - n/a, “Operazione Marrons Glacés”, L’Espresso, December 4, 1966

    - Pierre Restany, “Breve storia dello stile Yéyé”, Domus n°446, January, 1967

    - Camilla Cederna, “Dove si compra”, L’Espresso, June, 1967

    - Isa Vercelloni, “Tutte innamorate del mobile Italiano”, Corriere della Sera, November 25, 1967

    - Tommaso Trini, “Divertimentifici”, Domus n°458, January, 1968

    - Anna Piaggi, “Uno sterzo per occhiali”, n/a, 1968

    - Anna Castellani, “La moda ‘hippy’ diventa industria”, La Notte, January 10, 1968

    - Isa Vercelloni, “La nonna che vestì Gloria Swanson”, Corriere della Sera, January 24, 1968

    - Marisa Rusconi, “Ispira gli stilisti la nonna dell’astrattismo”, Panorama, February, 1968

    - Camilla Cederna, “Gotico e neogotico”, L’Espresso, April 21, 1968

    - Fernanda Pivano, Ettore Sottsass, “Pianeta Fresco”, n°2-3, Equinozio Invernale, 1968

    - Clino T. Castelli, “Transitive Design. A Design Language for the Zeroes”, Electa, Milan, Italy, 1999

    - Romy Golan, “Flashbacks and Eclipses in Italian Art in the 1960s”, Grey Room, n. 49, MIT Press, Fall 2012

    - Marco Vinelli, “Ma la bella “sessantottina” non stregò”, Corriere della Sera, June, 2013

    - Renato Pennisi, Alighiero | Clino | Michelangelo, Christie’s International, March, 2015

    - Stefano Pirovano, “In dialogue with Clino Trini Castelli and the no-form side of creativity”, Conceptual Fine Arts, 2015

    - Matteo Guarnaccia, Elio Fiorucci. Fashion Unfolds”, Moleskine 24 Ore Cultura, October, 2015

    - AA.VV., Sottsass Olivetti Synthesis. Sistema 45, Edizioni Comunità, 2016

    - Libri Prometeo “Quando le attitudini diventano forma: minimal art, conceptual art, arte povera, land art”, 85 manifesti 1962-1974, June, 2016

    - Monica Moro, “Luce non luce. La penombra come grande fondale luminoso della sintesi RGB”, Intervista a Clino Trini Castelli, Luce, n° 318, December, 2016

    - Clino Trini Castelli, "Mater materia, in Marinella Ferrara, Ceppi Giulio, “Ideas and the matter. What will be made of and what will the world made of?”, List, October, 2017

    - AA.VV., Marisa Merz. “The Sky Is a Great Place”, Prestel Publishing New York, 2017

    - Clino Trini Castelli, “No-Form 2020. 10 racconti oltre il design”, Corraini editore, Mantova, June, 2019

    - “Valentina Pero, Ettore Sottsass Jr and Clino Trini Castelli: Catalyst and Junior Catalyst”. Clino Trini Castelli in conversation with Valentina Pero, AA.VV.

    “Entrare nell’opera. Processes and Performative Attitudes in Arte Povera”, Verlag der Buchhandlung Walther König, Cologne, September, 2019

  • • Vaduz, Lichtenstein, Kunstmuseum, “Entrare nell'opera. Processes and Performative Attitudes in Arte Povera”, June 7 - September 1, 2019

    • Saint-Étienne, France, Musée d'Art Moderne et Contemporain de Saint-Étienne Metropole, “Entrer dans l'oeuvre / actions et processus dans l'Arte Povera”, November 30, 2019 - May 3, 2020.